For Finventro owners
Ready-made designs you can drop straight into your Studio. Download one, open it, change the words. Your logo and your colours stay exactly as you set them.
Everything below is yours. Download any design, load it into your Studio, change the words. Your logo and colours stay exactly as you set them.
The designs below are real — every one was made in Finventro and nothing else. Scroll and see what a firm can produce in a couple of minutes.
The download files only open inside Finventro, so they won't be much use on their own. If you like what you see, start here — or watch the two-minute demo.
About twenty seconds, once you've done it once.
Click any Download button below. You'll get a small file ending in
.finv — that's the design.
Open Finventro as you normally would, and go into the maker you want — LinkedIn, Facebook, video calls.
Press Load template in the top bar and choose the file you just downloaded. The design appears on your canvas.
Change the words to whatever you're actually saying. Swap the photo if you want. Download the image.
Grouped by what you're trying to do, not by how they're built. Every one works with the photo library already inside your Studio — or with your own pictures.
These six are one deck, in order. A carousel is a multi-page post people
swipe through, and it is the strongest-performing format on LinkedIn — but only if the pages
look like they belong together.
So every page here shares the same ground, the same colours and the same label size. The only
thing that changes between them is how big the headline is, and that changes for a reason: the
cover is the largest, the figure larger still because it is one number, and the three interior
pages are all identical. From page two onward the label is a page marker — 2 / 6,
3 / 6 — so a reader always knows how much is left, which is what keeps people swiping to
the end.
Page five is a photograph, washed back to the same navy as the rest so it reads as a pause
rather than a different post. Download all six, change the words to your subject, and add them
to the Carousel section in order.
The hook. The largest type in the set, and the only page that carries a topic label instead of a page number.
The plain-English explanation. Interior pages all use the same headline size, so the deck settles into a rhythm.
One number, given the room it deserves. The only page allowed to be bigger than the cover.
Three short lines instead of a paragraph. Same size as page two — they are a matched pair.
A photograph washed back to the same navy as every other page, so it reads as a pause in the deck rather than a different post.
The last page, with the QR code on. Ending on a summary wastes the one page where the reader has already decided you are worth their time.
Your Studio arranges up to four photos automatically — one centred, two side by side, four in a grid. Each of these opens with placeholders showing where your pictures land; press Upload images and they drop straight in.
Your team, four service lines, or four moments from an event. On cream, so it stands out in a feed of dark cards.
One tall photo on the left, words on the right. The adviser-profile post — and the closest your Studio gets to a magazine page.
Every photo design in your Studio darkens the picture to hold the words. These do the opposite — a soft white wash, with the type in navy. It is the same tool doing something that looks nothing like the rest of your feed, which is exactly why it stops people.
The wash fades upward so the top of the picture stays visible. For the reassurance post after a bad week of headlines.
Cream, centred, nothing else. The quiet post — it works precisely because it isn't shouting.
An invitation that doesn't look like every other invitation. Portrait takes the most room LinkedIn allows in the feed.
A split means the design is divided in two. One part is a photograph.
The other is a solid panel in your brand colour, and that is where your words sit — so the type
is always on flat colour and always perfectly readable, with no shading needed over the picture.
A thin gold line marks the join.
All three below do the same thing; what changes is how much room the photograph gets, and which
edge it sits against. In the previews, the photographic half is marked
PHOTO — on your
canvas that is a real picture from your library, or one of your own.
The photograph is reduced to a band across the top; the rest is your colour, and your words sit on it. Good when you have a long headline that needs room.
A narrow column of photograph down the left, your colour across the rest. A third rather than a half is what makes it feel considered instead of decorative.
A band of your colour along the top holding one line of type, with the photograph filling everything below. For when you're sharing a link and the picture does the work.
A figure on its own invites the question "says who?". Each of these puts the number and where it came from on the same card, so the answer is already there.
The number as big as it will go, with the source read before it rather than buried underneath.
Replace the sample figure and source with your own.Two numbers with one coloured arrow between them. The arrow carries the whole argument.
Words held on the dark half, photo still visible on the other. Reissue it as the date gets closer and change one word each time.
Most people see your posts on a phone. These two are built for that — one tall enough to fill a screen, one for the calls you're already on.
Words sit low, where a thumb won't cover them. Run it through Bring it to life and you have a short video.
A call background in the light key, with your name held to one side so your face stays clear. Add it as a virtual background in Teams or Zoom.
The FCA expects a risk warning to be clear on the face of the promotion. Both of these leave proper room for it from the start, so switching your regulatory line on doesn't crowd the design. Your compliance team still signs off the wording.
Words held in the top three-quarters, leaving a clear band underneath at a size people can actually read.
Navy on cream is the most readable pairing you have — which is the point when the small print has to survive being seen at thumbnail size.
The photo library inside your Studio is a starting point, not a limit. Upload a picture from your phone and it stays in your library for next time. These two are built for exactly that — and they're the ones that stop your posts looking like anyone else's.
Your office, your town, your team. The shading is what turns an ordinary phone snap into something deliberate — and it's one slider.
The post-event post. Your photo sits in its own half so it needs no shading at all and stays completely visible.
Reply to the email your Finventro came in, or write to founder@finventro.com. You'll reach me, not a support desk.
If there's a design you keep wanting and can't quite build, tell me — that's usually how these get made.